Doctor Who:
The
Myth of The Macra:
Looking Back On The Macra Terror
By Will Barber – Taylor
By Will Barber – Taylor
With
the slow death of the omnirumour and no further new information of missing
episodes coming out it seems that the buzz has finally died down. However that
doesn’t mean that we cannot still speculate about missing episodes we would
like to see back, one such story being The Macra Terror. The story, broadcast
during Season 4 marked one of Patrick Troughton’s first outings as The Doctor.
The story was written by Scotsman Ian Stuart Black, producer of Danger Man and
father of actress Isobel Black. Black had previously written The Savages and
The War Machine for the series. The Macra Terror went under several different
titles such as The Spidermen, The Insect-Men and The Macras.
The
idea for the story supposedly came when Black was listening to the BBC Radio
adaptation of Nineteen Eighty Four broadcast in 1965 and starring Patrick
Troughton as Winston Smith. Black felt that what Nineteen Eighty Four lacked
were gigantic crabs so he decided to write a political thriller with giant
crabs. Why nobody had thought of this before seems the greatest mystery
surrounding the story.
Recording
start in 1967 with John Davies as director and Gerry Davis and Innes Lloyd in
their normal jobs as script editor and producer respectively. Davies had by
this point only directed two things, one episode of United!, about the Brentwhich
football club and an episode of Thirty Minute Theatre. United!, ironically
starred Peter Craze the brother of Michael Craze who had played Ben, The
Doctor’s sailor companion since 1966.
The
production went fairly smoothly and became notable for the first use of The
Doctor’s face in the title sequence. It was broadcast in four parts from 11 March
to 1 April 1967. During its broadcast the story stayed around a healthy eight
million, comparable to the broadcast of a modern Doctor Who story today.
Hopefully
one day The Macra Terror will return to us, by all accounts it was an excellent
story that not only showed off a wonderful cast but also clever, witty and
funny writing courtesy of Ian Stuart Black. We can only hope, can’t we Phil?
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