by Ken Parker
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Spoilers
The film starts with a man on a
motorcycle picking up what appears to be a dead woman and bringing
her to an all white room. There, another woman (Johansson), takes
her clothes and heads out in a van, cruising the streets of Scotland,
picking up men. The men are charmed by the woman who convinces them
to enter a long hallway. Now completely under her spell, the men
take their clothes off as the woman backs down a now featureless
black room, enticing them to follow. They suddenly sink into a black
pool and the woman stops and heads on back out for more. This
happens a number of times but a few things happen that cause the
woman some trouble. The motorcycle man seems to be called in when
needed to clean up a mess (evidence) she leaves behind.
The woman seems almost robotic and one
minded as Johansson is able to turn on and off the charm in luring
the men. The woman begins to notice more and more things around her.
She strays from her 'mission' and goes off the grid. The motorcycle
man calls in some friends and they go looking for her. The woman
encounters a man and for the first time seems to fall for him or at
least decides to have sex with him. Things don't go so well and she
runs off into the woods only to run into some more trouble.
This film is strange. Very strange.
There is very little dialog. The imagery is fantastic and unsettling,
especially when we get a glimpse at what is under the black pool.
The music and sounds add to this oddness. The film originally
reminded me of Liquid Sky (1982) which was strange in its own
right and has sex as a primary plot device as well as aliens. Under
the Skin had that similar vibe, the feel of it reminded me of
those various midnight movies during my college years. The Man
Who Fell to Earth is another example of this type of film.
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Lack of answers does not detract from
what this film does. It seems to be sexy at first with the woman
really chatting up the men in a very realistic manner. The settings
and interaction are candid but the unsettling images and manner in
which Johansson acts is an incredible contrast which film maker
Jonathan Glazer has in common with David Lynch and Cronenberg.
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People who want answers should stay
clear. We don't see what the purpose of the 'aliens' is and that is
not the point of the film. If you love strange and want to
experience something unusual then seek it out on Demand, DVD or
Blu-ray as it is now available.
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